Showing posts with label #musicmonday. Show all posts
Showing posts with label #musicmonday. Show all posts

Monday, 19 April 2010

#musicmonday: Rachel Sermanni interview





I first saw Rachel Sermanni play at Communion at the Notting Hill Arts Club in the very earliest days of January 2010. I immediately loved her voice and her songs, which are delicate but strong, very personal and touching.

Rachel features on the Communion compilation album which has rightly received rave reviews since its release at the beginning of March. It is brings together twenty- one artists from the Communion family and I can say honestly that every single track is a stand out. You can read more about Communion here and great reviews of the album on For Folk's sake and the Independent's website.



I asked Rachel if she would do a little interview for A Rose Beyond the Thames and she kindly agreed.

* Hi Rachel, firstly would you like to tell us about yourself?

Ok! Hello, my name’s Rachel Sermanni and I’m 18. I come from Carr-Bridge, a village in the highlands of Scotland. Recently I’ve also been living with my many kind accommodating family members and friends down in Glasgow as the music scene is a bit busier most of the time in the city. I have a very lovely family who, so far, have supported me in my decisions in the likes of not going to uni, living out the suitcase and stuff. I’m just getting into the beginning of my second ‘gap-year’. University is still an option, as it always will be, but for now I’m enjoying the school of life. I’m proud big sister to two bear-like siblings, brother and sister, whom I love very much :-)

* How did you start making and performing music?

I began writing when I wanted to productively use the chords I was learning on the guitar. So, there’d be a chord sequence I’d make up out of the usual D, A, E sequence or something like that and then I’d add words and therefore be able to practice. The excitement of writing did begin to overtake the want for practice, however, once I’d improved. It’s very therapeutic; so I continued, as you can see, to write and experiment with chords. I didn’t perform any of my songs until I was about 15 where I entered a little battle of the bands in our neighbouring village. My brother’s band had also just started up so I feel we have a connection…despite their band being heavy rock and mine being happy folk HA! There were numerous battle of the band type concerts that I entered around the area, it seems that this was the way forward to getting your name known locally.


* I like that you wrote 'song to a fox' (which is a personal favourite of mine) on a train down to London. Do you normally start a song with lyrics, or melody, or can it depend?

I sometimes come up with lyrics in my head but I find it hard to apply them to a chord sequence as it always feels a bit disjointed. The Fox song was different, slightly, as I was so aware and focused on what I was going to write about that there were probably a lot of phrases waiting to be put to melody but in most cases I sit down with the guitar and find a tune and don’t really have any idea on what I’ll write about until I think of a first line. First lines are difficult. My songs always have to have a personal connection, I couldn’t write about someone else’s experience I don’t think. But, anyway, usually the melody and the chords come first…

* You feature on the very wonderful Communion compilation album- was it hard picking one song (My Friend Fire) to put on there or did you know which one you wanted to use right away?

Well, My Friend Fire was the song I recorded down in London just a few months before the compilation release. During recording, we were not aware that it’d be put on the record but later on I was asked. It was my first, proper recording so yes it was quite an easy decision to make. I’m very grateful it managed to get onto the record and I hope that someday I record some more loud ones like that; it was a lot of fun.


* You list lots of your influences on your myspace but what new music are you listening to that you think more people should hear? Especially other Scottish artists that we might not have seen in London but should look up.

I’m very lucky in that my musical social circle over laps with the Scottish Traditional world also. Many of the girls that play with me are primarily traditional musicians and I started out playing whistle and fiddle before ever considering singing. For those out with that sort of circle, they may picture the cliché traditional music of accordion and snare drum on a lonely stage playing irksome ceilidh tunes. But it’s much more than that.

Before I speak of the musicians, I’d like to quickly mention that perhaps my favourite aspect of Scottish culture is Burn’s poetry. Robert Burns has written some of the most beautiful verse I have ever read. It’s all so sincere, romantic and very enjoyable to put to music. I’ve been lucky enough to sing a few of his songs, and they’re all very powerful.


Karine Polwart is a poet of this day and age and her songs are also really great. Her music merges with both contemporary and traditional. I’d recommend her album ‘Scribbled in Chalk’.

* I am a big perfume and fragrance fan and so are lots of the readers of this blog so- although this isn't a question you probably get asked much- what are your favourite smells? They don't have to be perfumes; mine for example are roses, old bookshops and toast

I love the air of the small Scottish islands: it smells very earthy and salty, and fresh; especially before storms. I like the smell of pizza and home-baking. I went through a phase where I liked that chocolate lynx stuff! And my favourite perfume is most definitely Coco Chanel. I got that for my 16th birthday.

* And finally what are you doing next?

I am getting ready to register as self-employed which I’m very excited about. I shall feel very independent and lady-like! There are some other business aspects to focus on which I really should get on with soon…I’m hoping to go on some more tours about Scotland like I did with Stornoway last week (they’re amazing). I have some festivals confirmed for the summer; Belladrum, Wickerman and The Insider. I’m going to play Communion in Dublin next month which I’m really excited about. Pretty much just going to try and get as many gigs as I possibly can this year and perhaps next.
Another very pressing matter is that of a few good recordings. I’m hoping to get some funding to create some quality home recordings soon. It’ll be very exciting when I finally achieve some recordings.


You can buy the Communion compilation album here and you can listen to all of Rachel's recorded songs and keep up to date with her tour dates on her Myspace here. She is also on twitter.

Monday, 15 March 2010

#musicmonday Ben Howard: London

I'm going to do something quite out of character here. I am going to tell you how much I enjoy a song that is about not liking London. I think it's very clear from this blog that London is one of the loves of my life and normally a song about not liking it would be a turn off for me- but I really like Ben Howard and something about these lyrics makes me smile- perhaps it's because to me it sort of reminds me of why I do adore this city despite the sirens and the missing stars, perhaps it's the hopeful bit about Paris at the end, perhaps it's because it's just a really good song. You can find Ben Howard on his myspace and you can download his EP 'These Waters' from itunes.

London..


Oh, how i wish i could drag you down here,
Pull these feet far from the ground
Because this, this city ain't no friend of mine
Ain't no friend.


All i can do
When the tracks stop at the final destination
Is just push on through,
The weariness and silences of such a crowded situation here.


All i can do
When every brick, every bar, every elegance i see, i see her face,
Is just push on, just push on through,
These embers of memories that float from the fire, from the fire of this place.


So don't give up on me now,
Oh these legs that'll walk me home.


Because it's only concrete and cars,
It's only sirens and missing stars,
It's only whiskey and disregard
In the smallest hours here, when i feel alone.


All i can do
when these lights, they haunt me like orchids in a graveyard,
Is just just push on, just push on through
These faces of dust and stone,
The dirt and bone of loss.


So don't give up on me now,
Oh these legs that'll walk me home.


Because it's only concrete and cars,
It's only sirens and missing stars,
It's only whiskey and disregard
In the smallest hours here, when i feel alone.


..and i hope, Paris is as beautiful as i've been told
and that everything you do is galvanised in gold.

Monday, 1 March 2010

#musicmonday: southwest of never



Southwest of never is a compilation of tracks by artists playing at this years south by southwest conference in Texas. All of the artists involved have given their tracks for free and all proceeds from the sales of the album will go to the Institute of Cancer Research.

South by southwest is a showcase for all kinds of music and that is reflected in the complilation which is eclectic in the best possible way, moving through different genres from folk to indie to funk- and opening your eyes to new artists. Certainly I immediately veered towards the acts I knew on first listening to the album, particularly broadcast 2000 and the brilliant kill it kid but I then found new bands and artists I didn't know and want to know more after listening to this. I fell particularly for Ólöf Arnalds beautiful song Klara and will be looking for more of her music and hoping that she comes to play in London soon.

The full track listing is:

1. The Boxer Rebellion - Evacuate
2. Broadcast 2000 - Pep Talk (acoustic)
3. Leggins - A Knight With A Sword Killed His Own Son
4. Ólöf Arnalds - Klara
5. Autumn Owls - A Thousand Blind Windows
6. Kill It Kid - Burst Its Banks
7. French Horn Rebellion - Beaches & Friends (Hey Champ remix)
8. Strait Laces - Where The Wolf Rome
9. A Classic Education - What My Life Could Have Been
10. Tiger! Shit! Tiger! Tiger! - Crime Wave
11. The Black Atlantic - Heirloom
12. The Minutes - Black Keys
13. The Watermarks - Fast Song
14. Bridges And Powerlines - The Ghost Types

You can buy the album for a very reasonable £5 for from http://neverenoughnotes.bandcamp.com here. It is currently only available as a download but it comes with artwork so you can burn yourself a CD and a front cover- which is a sweet touch I think.

For further information on the album go to www.neverenoughnotes.co.uk here.